Vol. 2 No. 2: December 2020 | ROMchip

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Ending sequence from Comer (Shine Studio, 1998), in which the earth’s trees leave the planet. Image courtesy Phil Salvador.

Articles

Attending to Process and Data

A Research Alignment for Historical Videogame Production Artifacts and Their Archives

Eric Kaltman

Interviews

Matajuegos

Una Conversación con el Colectivo Argentino de Desarrollo y Crítica de Videojuegos Independientes

Guillermo Eduardo Crespi
Play at the V&A

A Conversation with Marie Foulston and Kristian Volsing on the Videogames: Design/Play/Disrupt Exhibition

Samuel DiBella

Materials

The Long Silent Journey of Kyle Choi’s Comer

Tracing a Computer Game on the Outskirts of the Industry

Phil Salvador
Indiana Jones Revisits Wenceslas Square

Converting 1980s Czechoslovak Activist Games for Exhibition and Education

Jaroslav Švelch, Martin Kouba

Translations

Matajuegos

A Conversation with the Argentine Collective Dedicated to the Development and Criticism of Independent Video Games

Pablo F. Quarta, David T. Marchand; Guillermo Eduardo Crespi